No rights given or implied.
Prices do not include shipping.
Picture Disclaimer: Imperfections on platen may add scratches/dirt which is not on the film.
Prices do not include shipping.
Picture Disclaimer: Imperfections on platen may add scratches/dirt which is not on the film.
16mm Features List - click on the plus sign (+) to make it larger.
(Please note: films under $100 will be listed in the BARGAIN CAVE)
We will not be posting photos of each of these.
If there is something you are truly interested in purchasing,
we will be happy to pull it and take photos for you at your request.
(Please note: films under $100 will be listed in the BARGAIN CAVE)
We will not be posting photos of each of these.
If there is something you are truly interested in purchasing,
we will be happy to pull it and take photos for you at your request.
THIS LIST WILL BE POSTED WITHIN THE NEXT DAY OR SO
CRY UNCLE (1971) $100 This film was rated X until 1973
16mm, Flat, Feature. Faded.
DIR: John G. Avildsen CAST: Jackson Beck (Voiceover), Allen Garfield, Paul Sorvino, Madeline La Roux
A private detective takes on a case and gets mixed up in murder, sex, and blackmail. Male and female full frontal nudity. Raunchy old school 70's humor. Troma film.
16mm, Flat, Feature. Faded.
DIR: John G. Avildsen CAST: Jackson Beck (Voiceover), Allen Garfield, Paul Sorvino, Madeline La Roux
A private detective takes on a case and gets mixed up in murder, sex, and blackmail. Male and female full frontal nudity. Raunchy old school 70's humor. Troma film.
GOLD DIGGERS OF 1937 (1936) $295
16mm B&W Agfa Gevaert Print in Excellent Condition. No VS.
(a few of these pictures are soft-that is my i-phone)
DIR: Lloyd Bacon
CAST: Dick Powell, Joan Blondell, Glenda Farrell, Victor Moore, Lee Dixon,
Jane Wyman (uncredited), Carole Landis, Susan Fleming (Mrs. Harpo Marx)
1937 OSCAR NOMINEEE for Best Dance Direction: Busby Berkeley
When two investors inform an opportunistic dancer that they can't fund an elderly stage producer's production, she suggests they get an insurance policy on the producer's life.
One of Busby Berkeley's magnificent, gorgeous, over-the-top extravaganzas. Including, of course, overhead shots of scantily clad beautiful women tap dancing.
1937 has one of the best storylines: an excellently plotted farce combining gold-diggers, an inept salesman, a hypochondriac theatre impresario, and his corrupt sidekicks. This fun plot is noted for two things: 1. The extraordinary sexual honesty that persists in spite of the Hays Code. This is a Depression where a woman must prostitute herself for a meal, never mind a marriage; as Glenda Farrell says, “It is so hard to be good under the capitalistic system”. 2. And the film opens with Powell insisting on the link between financial security and marriage.
Powell is amiable in a silly mustache, sillier name, and a cheerful pessimism. Blondell is bubbly and serious, and lovely as ever. Glenda Farrell convincingly transforms from cynical modern woman, to accomplice of scoundrels, to loving wife. And Victor Moore is the inimitable, whining, lonely JJ.
16mm B&W Agfa Gevaert Print in Excellent Condition. No VS.
(a few of these pictures are soft-that is my i-phone)
DIR: Lloyd Bacon
CAST: Dick Powell, Joan Blondell, Glenda Farrell, Victor Moore, Lee Dixon,
Jane Wyman (uncredited), Carole Landis, Susan Fleming (Mrs. Harpo Marx)
1937 OSCAR NOMINEEE for Best Dance Direction: Busby Berkeley
When two investors inform an opportunistic dancer that they can't fund an elderly stage producer's production, she suggests they get an insurance policy on the producer's life.
One of Busby Berkeley's magnificent, gorgeous, over-the-top extravaganzas. Including, of course, overhead shots of scantily clad beautiful women tap dancing.
1937 has one of the best storylines: an excellently plotted farce combining gold-diggers, an inept salesman, a hypochondriac theatre impresario, and his corrupt sidekicks. This fun plot is noted for two things: 1. The extraordinary sexual honesty that persists in spite of the Hays Code. This is a Depression where a woman must prostitute herself for a meal, never mind a marriage; as Glenda Farrell says, “It is so hard to be good under the capitalistic system”. 2. And the film opens with Powell insisting on the link between financial security and marriage.
Powell is amiable in a silly mustache, sillier name, and a cheerful pessimism. Blondell is bubbly and serious, and lovely as ever. Glenda Farrell convincingly transforms from cynical modern woman, to accomplice of scoundrels, to loving wife. And Victor Moore is the inimitable, whining, lonely JJ.
A LOVELY WAY TO DIE (1968) $185.00
16mm IB-Tech Letter Boxed print. No VS.
DIR: David Lowell Rich
CAST: Kirk Douglas, Sylvia Koscina, Eli Wallach
A womanizing policeman with a tendency for violent arrests quits the department rather than face an inquiry. He is recruited by a defense lawyer to assist with the murder trial of a beautiful young foreign widow whose rich older husband was killed. The wife and her playboy boyfriend are the defendants and the ex-cop is assigned to check out their alibi, including a dubious witness. There is a larger criminal conspiracy underway, and the relationship of the suspect and her husband, and his murder, get swept up in the cover-up of the real crime.
16mm IB-Tech Letter Boxed print. No VS.
DIR: David Lowell Rich
CAST: Kirk Douglas, Sylvia Koscina, Eli Wallach
A womanizing policeman with a tendency for violent arrests quits the department rather than face an inquiry. He is recruited by a defense lawyer to assist with the murder trial of a beautiful young foreign widow whose rich older husband was killed. The wife and her playboy boyfriend are the defendants and the ex-cop is assigned to check out their alibi, including a dubious witness. There is a larger criminal conspiracy underway, and the relationship of the suspect and her husband, and his murder, get swept up in the cover-up of the real crime.
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MURDER ON APPROVAL (aka BARBADOS QUEST) (1955) $125
16mm B&W British Print in Great Condition. No VS DIR: Bernard Knowles CAST: Tom Conway, Delphi Lawrence, Brian Worth British crime Drama. J. D. Everleigh, a wealthy American, purchases a rare stamp in London from Geoffrey Blake, who says he represents stamp agent Robert Coburn. Everleigh begins to suspect the stamp is a counterfeit and hires private-detective Tom Martin to investigate. Martin, assisted by Barney Wilson, a reformed crook, learns that the real stamp is still in the hands of Lady Hawksley but she refuses to show it to him. Martin gets friendly with Lady Hawksley's secretary, Jean Larson, and learns that Blake is a neer-do-well nephew of Lady Hawksley. Murder also rears its ugly head as Martin finds clues that seem to indicate that everybody he encounters is involved in stamp counterfeiting in one way or another. This thriller is above all enjoyable for its brilliant flowing conversation, vying with Durbridge and the Saint for elegance and smooth wit. It's all about stamps: faking them, stealing them, killing for them, and getting away with them. This should be easy as they’re so tiny, but some will raise all hell for the passion of their ignominy. Campbell Cotts as Robert Coburn steals the show by filling up the screen with his magnificent eloquence (as bombastic as Robert Morley), while Tom Conway is handsome and smoothly smart to constantly get away from all attempts and sabotage on his reluctant investigation. This is a delightful thriller, no matter how little you know about stamps or how little they interest you - just leave the bother to others. |
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WESTERN UNION (1941) 20th Century Fox $170
16mm Flat. Feature. Great color. Kodachrome. Splicey.
DIR: Fritz Lang CAST: Robert Young, Randolph Scott, Dean Jagger
Vance Shaw gives up outlawing and goes to work for the telegraph company, while bandit Jack Slade and his henchmen try to prevent the company connecting the line between Omaha and Salt Lake City. Lots of Indian fighting, gun-play and romance.
16mm Flat. Feature. Great color. Kodachrome. Splicey.
DIR: Fritz Lang CAST: Robert Young, Randolph Scott, Dean Jagger
Vance Shaw gives up outlawing and goes to work for the telegraph company, while bandit Jack Slade and his henchmen try to prevent the company connecting the line between Omaha and Salt Lake City. Lots of Indian fighting, gun-play and romance.
16mm FEATURES SOLD
BAND OF ANGELS SOLD
16mm, Flat, Eastman
16mm, Flat, Eastman
THE BEDFORD INCIDENT (1965) Columbia SOLD
16mm, Flat, B&W Feature. Very nice print.
16mm, Flat, B&W Feature. Very nice print.
DRACULA (1931) UNIVERSAL SOLD
16mm, B & W Feature. Flat.
16mm, B & W Feature. Flat.
FAST TIMES AT RIDGEMONT HIGH (1982) SOLD
16mm LPP letterboxed Estar Print in LAB MINT Condition. This film was on cores directly from the lab, and stored after possibly two runs through a projector. You will never find a print of this title in this condition. Complete with the adorable “When in Hollywood Visit Universal” tag at the end. (We also have the 35mm trailer available separately.)
16mm LPP letterboxed Estar Print in LAB MINT Condition. This film was on cores directly from the lab, and stored after possibly two runs through a projector. You will never find a print of this title in this condition. Complete with the adorable “When in Hollywood Visit Universal” tag at the end. (We also have the 35mm trailer available separately.)
FRANKENSTEIN (1931) UNIVERSAL SOLD
16mm, B & W Feature. Flat. Intact H & T leaders. Few if any splices. Contains the prologue. From estate of Debbie Reynolds.
16mm, B & W Feature. Flat. Intact H & T leaders. Few if any splices. Contains the prologue. From estate of Debbie Reynolds.
THE GHOST AND MR. CHICKEN (1966) UNIVERSAL SOLD
16mm IB TECH Letterboxed Print in Good Condition. A much sought after print.
16mm IB TECH Letterboxed Print in Good Condition. A much sought after print.
THE HAPPY ROAD (1957) MGM SOLD
16mm, B & W Feature. Flat.
16mm, B & W Feature. Flat.
HOW THE WEST WAS WON (1962) SOLD
16mm Metrocolor Print in Great Condition with great color. Original Intact leaders. Flat Version. You can see the 3-camera Cinerama screen match lines in the wide shots. From estate of Debbie Reynolds.
16mm Metrocolor Print in Great Condition with great color. Original Intact leaders. Flat Version. You can see the 3-camera Cinerama screen match lines in the wide shots. From estate of Debbie Reynolds.
THE JOKERS (1967) SOLD
16mm IB-Tech Print
16mm IB-Tech Print
THE KEY (1958) Warner SOLD
16mm B& W Print in Great Condition.
16mm B& W Print in Great Condition.
THE LONG CHRISTMAS DINNER SOLD
16mm educational film with booklet on reel in can
1600’ red Eastman - good shape
16mm educational film with booklet on reel in can
1600’ red Eastman - good shape
MOSCOW ON THE HUDSON (1984) Columbia SOLD
16mm, Flat, Feature. LPP Print in GREAT Condition
This is a very nice SWANK Rental print with intact spindle stickers on the reels.
16mm, Flat, Feature. LPP Print in GREAT Condition
This is a very nice SWANK Rental print with intact spindle stickers on the reels.
A PIECE OF THE ACTION (1977) SOLD
16mm, Flat, Eastman
16mm, Flat, Eastman
A WARM DECEMBER (1973) Columbia SOLD
16mm, Flat, Eastman Feature. Some color. Good shape
16mm, Flat, Eastman Feature. Some color. Good shape
THE WAY WE WERE (1973) Columbia SOLD
16mm Flat. Feature. Faded.
16mm Flat. Feature. Faded.